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Classic Monsters, Horror Fanzine from United Kingdom
Ceased publication

- First issue: 1994
- Early horror cinema.
- Seven issues were published.
- A nostalgic look back to the vintage classic horror of the 20's, 30's and 40's.
- Kip Xool's zine.
- 28 pages.
- Website: www.classichorror.free-online.co.uk/

Special thanks for this page goes to:
Garry Malvern

COVERS FOUND & MISSING

Info from the Database

Highslide JS Listing is complete and all covers have been found.

See The listing

CONTENTS: 1994 1995 1996 1997 All

GALLERIES: 1994 1995 1996 1997 All

Issue 2
Fall 1994

Kongo (1932) The shocking film of its day.
The Night Has Eyes (1942) One of Pathe's only chillers of the decade.
Le Sang d'un Poete (1930) Cocteau's first feature film.
Condemned to Live (1935) A Universal styled shocker.
He Who Gets Slapped (1924) Chaney's greatest performance?
Laurel and Hardy in the Comedy of Terrors: The comic duo's horror encounters.
Paul Wegener, Man or Monster? An early pioneer of German cinema.
Mystery of the Wax Museum (1933) A detailed appreciation.
Book Reviews: Scream Queens by Calvin Thomas Beck, The Illustrated Dinosaur Movie Guide by Stephen Jones, Vintage Monster Movies by Robert Marrero, Missing Believed Lost by Allan Kyles & David Meeker, Conrad Veidt Retrospective by Shirley Conway.

Issue 1
Spring 1994

Chandu the Magician (1932) Starring Bela Lugosi.
Frankenstein (1909) The first cinema version.
The Importance of Being Ernest...: Biography of Ernest Thesiger.
The Undying Monster (1942) An ignored werewolf film.
Paul Leni, the Forgotten Master Biography.
Faust (1926) Epitomy of Expressionism.
Shot in the Dark (1933) A British 'quota quickie' at its awful best.
The Demon Barber of Fleet Street (1936): Barnstorming Tod Slaughter.
The Dinosaur and the Missing Link (1915): O'Brien's early stop motion.
Night Comes Too Soon (1947) Interesting ghost film.
Mysterious Island (1929) Early sound adventure.

All magazine covers are copyrighted by their publishers. No rights are given or implied. They are presented here for their historical significance and the edification of magazine fans and collectors, everywhere.
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